My client Kalyanee Mam has completed her film about the struggle to save Cambodia’s forests from destruction and it appears today as a New York Times “op-doc”.
Havana Curveball is a hero’s journey, a young man’s rite of passage in the transmission of menschkeit over generations, at least three in this story.
The hero’s quest is to heal the world a bit by bringing first world wealth in the manner of baseball equipment to third world impoverished lovers of the game in Cuba.
Happy endings are not assured. Epiphanies are.
Ken is also the editor of Abby Ginzberg’s “Soft Vengeance: Albie Sachs and the New South Africa” also on screens in the festival.
This is also another opportunity for Bay Area audiences to see Nancy Kates’s “REGARDING SUSAN SONTAG” on a big screen at the Castro Theater and other locations.
See you in the movies!
Nancy Kates’s feature documentary REGARDING SUSAN SONTAG sold out the Victoria Theater in the San Francisco Frameline Film Festival last night.
Bay Area filmgoers get another opportunity to see this brilliant film at the San Francisco Jewish Film Festival, Castro Theater, August 2.
Director Kates enlisted great local talent for a hard-to-make film but especially benefited from Director of Photography Sophie Constantinou and editor John Haptas.
Thanks to Zoetrope Aubry Productions for including me in on the post production finishing team, grading in DaVinci Resolve in their office at the San Francisco Film Center in the Presidio National Park.
San Francisco’s LGBT film festival FRAMELINE opens this week and will include the local premieres of two films made by my clients.
Tuesday 6/24 at 630PM at the Castro Theater:
“To Be Takei” directed by Jennifer Kroot and edited and co-directed by Bill Weber
Wednesday 6/25 700PM at The Victoria Theater:
“Regarding Susan Sontag” directed by Nancy Kates
IMPOSSIBLE LIGHT, Jeremy Ambers’s documentary about the art light installation on the Bay Bridge screens at the San Francisco International Film Festival Wednesday, the Roxie Cinema on Thursday and a theatrical run at the Grand Lake Theater in Oakland.
Theatrical opportunities have opened up for the independent filmmaker with the advent of the DCP (Digital Cinema Package) file drive delivery method and the conversion of cinemas to the digital cinema initiative.
Samantha Grant of the UC Berkeley School of Journalism addresses a difficult topic in the profession: plagiarism.
In A FRAGILE TRUST the subject is New York Times reporter Jayson Blair. Grant’s film unwinds a documentary thriller and it is as painful an examination of Mr. Blair’s deeds as it is the state of large institutional newspapers in a time when the unsinkable fourth estate is sailing in a sea of icebergs. Color edit by self.