Present Cinema: The Telluride Film Festival premiere of MEN: A LOVE STORY


MEN: A LOVE STORY  from Northern California’s director Mimi Chakarova and editor Stephanie Mechura premieres.

It’s a road movie filmed by women looking for a redemptive side of men by coaxing them to tell their love stories. The first ten minute preview I saw convinced me I wanted to take the assignment: a reel of hard bit cowboys and oil rig worker who could model and an Oakland elder with a life force appetite as voracious as his twenty year old self.
The film has an original musical score performed by many, among them Nels Cline of Wilco and some of the subjects themselves who sing and play Americana roots music.
What do these men love: many of them love to cook and don’t come to the theater hungry unless you’re in an Alamo Drafthouse.
The American landscape and portrait cinematography by Stefania Rousselle and Mimi Chakarova is gorgeous.

New films from Clint Eastwood, Damien Chazelle and Denis Villeneuve are set for this year’s SHOW, commencing Friday.

The Mill Valley Film Festival 2015: Coates Promotes The Magnificent Seven

As a service to my filmmaker clients, I promote their screenings at festivals and on television and so here is this year’s harvest of nonfiction cinema made by Northern Californians and exhibited by the greatest showcase of the locals: The Mill Valley Film Festival. Get your tickets early as some of these shows are at RUSH already and you can help sell out shows and increase the chance of additional screenings.

BEYOND MEASURE directed by Vicki Abeles

Author and director Vick Abeles brings her second nonfiction feature of education activism to this festival. Her film shows students, educators, and parents actively opposing teaching to the tests and asserting engaged learning in American high schools.

CODE: DEBUGGING THE GENDER GAP directed by Robin Hauser Reynolds

Reynolds is another maker of activist cinema and her subject is women and girls in software engineering. The obstacles abound but are not insurmountable and you meet one martyr but many successes. My favorite scene has PIXAR director of photography Danielle Feinberg describing to a class of girls how she took apart and rebuilt a lawnmower in a class of boys who looked on dumbfounded when her machine roared to life and none of theirs would.

DOGTOWN REDEMPTION  directed by Amir Soltani and Chihiro Wimbush

West Oakland, California has a neighborhood called Dogtown named for the strays that accumulate there. It is home to the homeless and their dogs who scrape out a living from shopping cart recycling “redeemed” at Alliance Metals one neighbor describes as a plantation that maintains these desperate people in subsistence. Those that use drugs are criminalized for what is their illness and consequently cannot be hired at a decent legitimate job. And in de-industrialized Oakland these jobs are few or gone. The director’s request for my services was to give his subjects justice. I thought of it as a modern Grapes of Wrath graphic novel while working especially after hearing the trenchant remarks of Ron Dellums who understands the labor history of the area and the people who once picked fruit who now harvest our garbage.

IN DEFENSE OF FOOD  directed by Michael Schwarz

Do not come to this screening hungry. The team of Kikim Media present two hours of the observations of writer Michael Pollan (The Omnivore’s Dilemma) whose advise haiku “Eat Food, mostly plants, not too much” expands into multiple topics about growing, gathering, cooking, eating food and recovering our health from some of it we have eaten.

One show is already at Rush tickets.

THE NEW ENVIRONMENTALISTS directed by the Mill Valley Film Group

The Mill Valley Film Group return with this year’s winners of The Goldman Environmental Prize and the show includes two other documentaries by John Antonelli including

“The Roots of ‘Ulu” about breadfruit in Hawaii and restoring a healthy diet among the native population.

NIETA directed by Nicolas Villarreal

This program of animation includes a short film by a member of the Academy of Art College faculty. Nieta is beautiful and tender and was a particular challenge for me to corral its hyper luminant colors inside a color space that can be projected or televised. This film is a good argument for the coming Ultra High Definition color gamut called REC 2020 for the non-civilians reading.

SURVIVING SKOKIE directed by Eli Adler and Blair Gershkow

Eli Adler is a Northern California cinematographer who one day was asked to film at Auschwitz. He told the filmmaker, “You have to hire me. My father was at Auschwitz”.

Eli has brought out the story of his father surviving World War Two, genocide of the Jews in Nazi death camps, and then the encounter with American Nazis marching in his new home Skokie, Illinois. Father and son return to Poland as part of the campaign to keep memory alive after the survivors are gone.

The festival includes some real gems I did not work on but I hope to see.

I recommend HOT TYPE directed by Barbara Kopple, about the Nation Magazine now in its150th year as a progressive publication.

Also, go see ROBERT BLY: A THOUSAND YEARS OF JOY, a film about the poet from Haydn Reiss.

Also of interest, A NEW COLOR: THE ART OF BEING EDYTHE BOONE, which was color graded by my colleague Heather Weaver.

The festival will have several panel discussions about the cinema as an industry in a series called Behind the Screens.

RETURN TO DAK TO Screens at the Roxie Cinema April 15 at 7PM

RETURN TO DAK TO written and directed by Christopher Upham earned a citation prize at the Black Maria Film Festival. It receives a local showcase at the Roxie Cinema this April 15th at 7PM with the filmmaker present.

The film is of the cinema of reconciliation among former enemies and within troubled consciences.
Mr. Upham joins fellow veterans to return to the scene of the battle of Dak To in the American War in Vietnam, a name the Vietnamese use to distinguish one of several wars against foreign armies including the Japanese, the French,The United States, and the People’s Republic of China.
It is a fitting time for this reflection as we now approach the fortieth anniversary this April 30th of the end of our war.

Upham enlists the talents of film editor Tracy Loth to construct a memoir from still photos and 8mm and 16mm film archival clips of at times hallucinatory effect. The memories trigger from the contemporary contact of former warriors among the Vietnamese people, some too young to have a memory of any of these wars. The montage has the sudden sharp interruptions of war impinging on consciousness as the veterans would have known.
Ms. Loth’s keen sense of sound gave ample inspiration for sound artist James LeBrecht to make his mix.

Color and cinematography enhancement by self on DaVinci Resolve.

Bay Area Director Robin Hauser Reynolds sends CODE to TRIBECA 2015.

CODE , a new documentary from director Robin Hauser Reynolds premieres at the TRIBECA 2015 Film Festival this April.

The post production team includes film editor Christie Herring and sound design and mix by Berkeley Sound Artist James LeBrecht.

Zoetrope Aubry Productions (ZAP) provided online conforming by Ashley Pagan and a DaVinci Resolve color finish by yours truly.

Robin’s film explores the issues of women and girls entering, learning, and working in the field of software engineering and coding. It is a field with incredible opportunity severely under-represented by women’s participation and it will be no surprise there are the usual idiotic obstacles of sexism still.

The Bay Area premiere is not yet announced.